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I can't believe it! I saw it just after waking up, shot out of bad and ran to my room mates screaming, I was so excited! 
Like, you guys have no idea! All the other work that got DD's was so much better than this piece... though a lot of it it digital work, and this is an Intaglio Print, which, for any of you that know printmaking, that is a very different story. ^ ^ But still, I'm very happy. You have no idea how thrilled I am. ...And this isn't even a good photo! There's a nasty shadow on the side. I'm really tempted to replace it with a better one but I'm worried I'll accidentally delete the deviation or something. XD 
who is a helluva lot better than I am. ^ ^ 
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Deviousness `ChewedKandi has certainly gone out of her way to keep the vector community on the right path. Always making sure that her talents are infinitely scalable, Sharon has put her bezier curves to excellent use, and firmly anchored herself as an inspirational leader. We're absolutely delighted to bestow the Deviousness Award for June 2013 to `ChewedKandi. Congratulations, Sharon! Read More
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Sta.sh
This is great. Lovely work.
1) I am etching this image: [link] for piece. My professor hinted that I would be able to achieve ambient textures like the ones in the background on that piece, but I have no idea how. Would I attempt that when the ink is rolled on? Meaning that I only etch the plate with the most basic lines?
2)I have to produce 5-10 pieces that are exactly alike, so I worry that blotting the ink will result in dissimilar prints.
3) My professor said "aquatint is for printmaking 2 students" but I can do it if I figure it out on my own.
Ok I think that about sums it up. If you have, or know if, a tutorial or video I would love to see! I think your etchings make the strongest pieces in your gallery, the style seems to suit you.
Ps- I hated shaving that zinc plate down!
Great Job!